If youve used these before youll know what to expect, its just an extra arm for you that doesnt get tired. One thing Ill say though, I wish the tightening mechanism on the side of the grip head werent almost as large as the rest of the head itself – it makes for an awkward attachment for the boompole holder, they can often get in the way of one another. A smaller form factor for this package would be better. The price is right, but I would have paid a bit more for a more compact head.
Impact – Grip Head for Lights and Accessories – 2.5 Diameter (Chrome)
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Impact Grip Head for Lights and Accessories – 2.5 Diameter (Chrome)
This is a must have if you are short on crew and in the studio or on location in tight spots. Not only does this hold the boom pole, xlr and mic with gusto – it is a great piece to even attach a reflector.
Ive only had a chance to use this twice since purchase but absolutely love it. It works perfectly for me, holding my RODE boom pole with mic easily and steadily. I use a sturdy light stand and sandbag for added stability on the stand. An excellent investment for those times when Im interviewing on my own and dont want to use the lapel mic.
I often am called upon to film auditions for actors and actresses and, most of the time, I am without an assistant. This holder and grip kit is the perfect solution for doing this. The Auray Boompole Holder and Grip Head Kit is a perfectly matched combination for this type of production.
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Great build quality here. In my opinion, this is the ideal solution for mounting a boompole shotgun for interviews. Pairs perfectly with the Impact heavy duty 9.6 light stands.
Great product and works well. Does exactly what I wanted it to do. Only complaint is that the rubber coating on the holder can become damaged at the bottom if it gets caught in the grip head. Other than that it works great. Be sure to have shot bags because if you use this on a light stand, with a boom pole, it will fall over without.
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TheImpact Grip Head for Lights and Accessories – 2.5 Diameter (Chrome)mounts lights, light modifiers, scrims, flags, cutters, and other lighting accessories onto C-stands or butterfly frames.
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Auray Modular Boompole System: Versatile for ENG, EFP, and More
When trying to get the perfect shot, you often have various lighting accessories such as flags, scrims and cutters set up around your subject. A grip head holds each in a precise position, making it a fairly common piece of equipment on most any set.
From B&H, thisBoompole Holder and Grip Head Kitis comprised to provide sound engineers with the tools needed for hands free microphone boom mounting onto lighting stands. The kit is comprised of a boompole holder and grip head.
Serviceable, but the grip head is bulky
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5.25 x 7.25 x 2.75 (133.35 x 184.15 x 69.85mm)
As we all know crews are getting smaller and budgets tighter. The soundman on most small gigs is a couple of lav mics plugged directly into the camera. But sometimes the lav wont cut it or you dont have four of them. Break out a spare stand and use this as your newest crew member. If you place the stand near the camera you can actually swing the boom left and right while shooting. Sadly the boompole holder cannot run and get coffee or tape down cables so you are still in effect the most junior crew member.
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TheAuray Boom Pole Holderis a durable holder for fixed position microphone recording. This clamp and mount system allows for hands free boompole mounting on C-stands and microphone stands.
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Have been using this for over a year now. Literally life changing. Such a simple piece of gear but is 1000 times better than trying to use a mix stand for interviews. We just attach it to a C stand, put the boom pole through and presto. Perfect for interview setups.
Wide compatibility with standard grip equipment; fits 5/8 baby-studs or stand top-studs
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